Parviz Natel Khanlary was born in Tehran in 1914. He was the son of Abolhassan Khanlary Etessamolmolk from the region of Natel located in the Noor (Nour or Nur) county of Mazandaran, a Caspian province in the north of Iran. Abolhassan Khanlary was an officer in the Ministry of Justice (in Persian: Vezaarat-e-Daadgosstari or Adlieh). Some reports also reveal that he worked as an officer in the Ministry of Foreign Affairs (in Persian: Vezaarat-e-Omoor-e Khaarejeh). The mother of Parviz was Salimeh Kaardaar who was a cousin (in Persian: Dokhtar Khaaleh) to poet NimaYooshij Esfandiari . NimaYooshij (1896-1960), born as Ali Esfandiari, was an Iranian poet who started the style of Modern Poetry or Sher-e-no, aka Nimaii Poetry or Sher-e-Nimaii. It is documented that PNK firstly attended Iranian school of Darolfonoon, French school of Saint Louis, and American School in Tehran, Iran. Upon the completion of high-school education he was already a master in many foreign languages such as French, English, Russian, etc. PNK was then graduated from Tehran University with a doctorate degree in Persian Literature. He married to his fellow-student Zahra Keya who was the grandchild (in Persian: Naveh) of Shaikh Fazlolah Noori. he was an Iranian Muslim cleric who strongly opposed the Constitutional Revolution of Iran (1905-1911) and was executed for his opposition. According to Azar Nafisi, Shaikh Fazlolah Noori considered as a mentor to Ruhollah Khomeini, issued religious decree (in Persian: Fatwa) against the public education of women during the Constitutional Revolution. It should be noted that neither Parviz Natel Khanlary nor Zahra Keya followed in the footstep of Shaikh Fazlolah Noori..

The products of the marriage of PNK and Zahra Keya were a son named Armaan, and a daughter called Taraneh. Later, Armaan died due to cancer. Taraneh, the daughter, studied Architecture and she now lives in Paris, France.

For a short time PNK taught in the high-schools of Rasht, the capital city of Gilan province in the north of Iran. He also taught in some high-schools in Tehran. PNK was then appointed as the Associate Professor in Persian Language and Literature at TU. In 1949, while keeping his position at Tehran University, he attended Paris University in France and studied linguistics. Upon his return to Iran he was promoted as the Professor in Persian Language and Literature at TU. He also traveled to Tajikistan in 1956 and to India in1978.

HIS WORKS: Professional and literary contributions of PNK may be classified in several categories. First and foremost, he held some of the highest positions in the Iranian government between 1960 and 1979. Early in his career, he was the Governor (in Persian: Ostandaar) of Azarbaijan province in north-western Iran. During 1962-1964, when Amir Assadollah Alam (1919-1978) was the prime minister of Iran, PNK served first as the Deputy Prime Minister and later as the Minister of Culture (in Persian: Vezaarat-e-Farhang). He served as the representative of Mazandaran in four sessions of the Senate of the Iranian Parliament. He was also the Director of the Shahnameh Foundation and of the Iranian Cultural Foundation (in Persian: Bonyyad-e Farhang-e Iran). His efforts were instrumental in the establishment and operation of the Iran Academy of Arts and Literature of Iran, the Franklin Institute, and other similar organizations.

The early works of PNK consisted of both prose and verses. His first contribution appeared in the Iranian Journal of Eghdaam (also spelled as Iqdam) in 1931. The editor-in-chief of that Journal was late Abbas Khalili, the father of contemporary Iranian poetess Seemin Behbahani. This was followed by research in major studies in Persian poetry, linguistics, and the history of Iran both before and after the year of 642 when Iran became a part of Muslim World. In 1932, he translated the Daughter of the Captain (in Persian: Dokhtar-e Sarvan) from French. Like his study of poetry and linguistics, this too led to a series of wonderful and needed translations of European works into Persian. These include translations from the works of Russian writer Alexander Sergeyevich Pushkin, German poet Rainer Maria Rilke, American archaeologist and historian of Persian Art Arthur Upham Pope, and others.

Possibly the most unique contribution of PNK is his editorship of the monthly Cultural Magazine of Expressing (in Persian: Sokhan) to which a group of Iranian scholars and poets such as Iraj Afshar, Nader Naderpour, Ehsan Yarshater, and many others contributed. Iranian researcher Iraj Bashiri wrote that the magazine of Sokhan, which lasted, with some interruption, for some 35 years (1944-1979) has provided the scholars in Iranian studies a most useful tool for the study of aspects of the Iranian scene.

HIS PUBLICATIONS

HIS PUBLICATIONS: Psychology (Ravaan Shenassi, 1937), Poetical Research (Tahghigh dar Orooz va Ghaafieh, 1958), Rhythm in Persian Poetry (Vazn dar Sher-e Farsi, 1958), On Persian Language (Darbareh-e Zabaan-e Farsi, 1961), Linguistics and the Persian Language (Zabaan Shenassi va Zabaan-e Farsi, 1964), Culture and Society (Farhang va Ejtemaa, 1966), Poetry and Art (Sher va Honar, 1966), The History of Art (Tarikh-e Honar), The Last Visit (Aakharin Didaar), Psychology and the Principles of Training (Ravaan Shenassi va Ossol-e Parvaresh), New Method to Teach Persian Grammar (Ravesh-e Taazeh-e Tadriss-e Dastoor-e Zabaan-e Farsi), Poetical Anthology of Moon in Lagoon (Majmoeh Sher-e Maah da Modaab, 1964), Edition of Yooef va Zolaikhaa, Edition of Chaahar Maghaaleh, Edition of Rostam va Sohraab, Edition of Samak-e Ayyar, Edition of Safarnameh-e Naaser Khosrow, Translation of Tristan and Isolde, Translation of the Daughter of Captain (Author: Pushkin), Translation of Some Letters to a Young Poet (Author: Rilke), Translation of the Masterpieces of Persian Art (Author: Pope), Cultural Magazine of Expressing (Majaleh-e Sokhan, 1944-1979), Edition of Lyrics by Hafez (Esslahaat bar Ghazaliat-e Divan-e Hafez, 1984).

HIS END: In 1979, when Ruhollah Khomaini took over, Parviz Natel Khanlary  was arrested because he had worked as the Minister of Culture in one of the cabinets in the previous regime of Iran, and he was sadly imprisoned for four months. He was then home-bounded until he died. It is documented that, “He did not abandon work during his home-bound years. The Hafez he edited during this time set a daunting standard of scholarship and taste”. At 77, sick and poor, he died in 1991.